Monday, October 23, 2017

New review for Anita Davison

A wonderful review from Jennifer Wells for Anita Davison's novel, which is part of her Flora Maguire series.

 USA cover                     

Flora Maguire's life is perfect – a beautiful home in Belgravia teeming with servants, a loving husband, and new baby Arthur to enjoy. But when she is invited to tour St Philomena's Children's Hospital in deprived Southwark, she gets a harsh insight into the darker side of Edwardian London.
Shocked by the conditions people are living in, she soon uncovers a scandal with a dark heart – children are going missing from the hospital, apparently sold by their own families, and their fate is too awful to imagine. With the police seemingly unable or unwilling to investigate, Flora teams up with the matron of the hospital, Alice Finch, to try to get to the bottom of it.
Soon Flora is immersed in the seedy, dangerous underbelly of criminal London, and time is running out to save the children. Will they get to them in time, or was their fate decided the day they were born poor...

 UK cover

Flora’s life seems perfect. She has a loving husband, beautiful baby and servants to help run her opulent home, but when she receives an invitation to a charitable tour of a children’s hospital, she is soon reminded that life for most Edwardian Londoners can be much harder. When a student nurse is murdered at the hospital, Flora unearths a plot concerning the abduction of patients. Flora’s perfect life is contrasted with some brilliant descriptions of the deprived areas of the city. There are hooks on almost every page that draw the reader deeper and deeper until they are fully immersed in the mystery. The final chapters are action-packed. I had read the first book in this series and regret not returning to them until now (book 4). The first book briefly introduced Flora’s childhood, specifically the disappearance of her mother - something which had me intrigued. Luckily the author skilfully weaves the mysteries of Flora’s past throughout the series. Both books that I read work well in isolation – but readers should be aware of tantalising flashbacks and cliff-hangers that will make them want to read all of the Flora Maguire series.

Reviewer: Jennifer Wells
twitter:  @jenwellswriter

Friday, October 20, 2017

Romance Reviews Magazine: Regency

Romance Reviews Magazine: Regency: Reviewed by Fran. Set in London 1821, the Unmasking of Lady Helen is a sweet tale of the young lady Helen who fears an incident...

A novel setting...a peek inside...

My latest release, Southern Sons, is set in Australia and France during the Great War.
It's about the grandchildren of Kitty McKenzie, who live on a large cattle property (or cattle station) called Blue Water.
I set Blue Water in the country area of Northern New South Wales, near the town of Grafton which sits on the mighty Clarence River. A smaller river runs off the Clarence, called Orara. Blue water sits on the edge of the Orara River.
In a chapter in Southern Sons, Tilly learns to drive her father's motor car and she drives it miles from Blue Water to Grafton to do some shopping. She has to cross the Clarence River on a steam ferry, and I have found a picture of the actual ferry.

The picture below is something similar to the motor car, Tilly would have learned to drive while the men were at war.

Tilly also went on a cattle muster, to bring in the cattle that grazed the hundreds of acres of Blue Water...

and at night they would camp by the fire.

Read Tilly's story in Southern Sons.

Blurb: 1914, Australia. As war is declared, the idyllic world of Blue Water Station is torn apart when Oliver, the eldest grandson and heir, shares his desire to enlist in the army. His enthusiasm ignites his brother, cousins and friends to do the same, but upsets his sister, Tilly. After a tragic family incident, Tilly is left to run the cattle station and take care of the older folk. A chance meeting with a sophisticated Lieutenant opens up a friendship through letters, but it’s a rogue stockman who attracts her attention with dire consequences. With the men at war, and her heart pulled in two directions, Tilly must grow up quickly and face the consequences of her rash decisions. Will She find her own happiness?Surviving a baptism of battle fire in Gallipoli, Turkey, Oliver and the men are sent to France and feel the brutal force of the Western Front. The only glimmer of light for Oliver is his relationship with Jessica, an army nurse. But as the terrors of war impact him, he feels the heavy guilt of encouraging the others to follow him into combat. Will he, and they, ever make it home to Blue Water.

Can the grandchildren of Kitty McKenzie survive the horrors of war?

For those who have read the Kitty McKenzie books, the third book, Southern Sons, about Kitty's grandchildren, is available in ebook and paperback.
If you've read and enjoyed it, I'd love it if you left a review on Amazon please. Thank you.
Southern Sons
Will they survive the war?

Tuesday, October 17, 2017

Review of The Murderess by Jennifer Wells


The Murderess is a heart-stopping story of family, love, passion and betrayal set against the backdrop of war-ravaged Britain. Perfect for fans of Lesley Pearse and Dilly Court.
1931: Fifteen year old Kate witnesses her mother Millicent push a stranger from a station platform into the path of an oncoming train. There was no warning, seemingly no reason, and absolutely no remorse.

1940: Exactly nine years later, Kate returns to the station and notices a tramp laying flowers on the exact spot that the murder was committed; the identity of the victim, still remains unknown.

With a country torn apart by war and her family estate and name in tatters, Kate has nothing to lose as she attempts to uncover family secrets that date back to the Great War and solve a mystery that blights her family name.


I enjoyed Ms Wells ‘The Liar’ and this book was just as well written, also intriguing in that at first, I couldn’t tell where the story was going.. The author left me guessing as to which character I was supposed to feel empathy with. The betrayed Millicent whose only wish was to bear her husband’s child, Kate, who had been lied to for so long that when the secrets started to unravel, as they always do, was left to make sense of it all.

Or was Rosalie the one who deserved pity, the one who betrayed and was eventually betrayed? Halfway through the story I had a sense of inevitability which even though it played out, did not detract from the impact of the story.

Ms Wells certainly has a knack for portraying women whose obsession for motherhood changes their personalities and in some cases is used as justification for the things they do.

Saturday, October 14, 2017

The Oppression of Women in Historical fiction

Women’s oppression across history has been written about constantly, even during the 60s, in an age of strong feminism. The desire for power, male domination, violence and control, and captive women, have been recurring themes from Jane Eyre to the present day. Drabble, Byatt, and Jean Rhys in her retelling of Jane Eyre in Wide Sargossa Sea have all used this theme. As have countless gothic and romantic suspense novels. Is this because women fear reliving the fates of their mothers?

‘Happy women, like happy countries, they say, have no histories,’ says Harriet in Victoria Holt’s Menfreya in the Morning.

Eleanor Hibbert, in her different incarnations, as Jean Plaidy, Holt, and Philippa Carr used this theme constantly. Her Plaidy novels were written in the 3rd person, which gave them a rounder, more objective viewpoint, if slightly distanced. Her others were in 1st and therefore more personal and emotional.

Gregory too writes about the lot of women. About primogeniture and how women are ignored. Even her biographical fiction is about exploited women, forced to marry for political reasons, or used by their political ambitious fathers. Her early novels also deal with the theme of exploitation in other ways, such as the agricultural peasant after the enclosures. Writing these novels in the 1980s, during the time of the miners’ strikes, this would strike a chord with readers, as it tuned in with the radical political consciousness of the time.

As with Gregory, so with Susan Howatch, who wrote about wealth and inheritance, stating that women were considered a possession as was a house or land. But she plunders history for her stories: Henry II and Eleanor of Aquitaine for Penmarrick, and Edward I, II and III for Cashelmara. She is saying that nothing changes. She used history itself as her inspiration, disguised and relocated while echoing the universal truth of her theme of exploitation of women in dysfunctional families. Both Howatch and Gregory teach us that history does not exist in a vacuum, that nothing really changes about human nature, despite progress in other fields.

Perhaps it is easier for us to view these problems through the prism of nostalgia. Class/sexual inequalities/social differences/violent abuse/illegitimacy and other strong themes, are often best viewed at a distance. They work because they don’t have to be defended, criticised or judged. People like to think - ah yes, that’s how it was back then. They are aware the issue still has a resonance today, yet it is easier to think of it with the benefit of hindsight. Its awfulness is often stressed quite strongly, yet as it is safely in the past, this allows a slight air of unreality or fantasy in the way the subject is depicted.

In the 1970s the theme of exploited women was turned on its head and the liberation of women became a popular theme in racy historicals. Known as bodice rippers these started with Kathleen Woodiwise: The Flame and the Flower. Rosemary Rogers: Sweet Savage Love. They depicted accurate sex in inaccurate history. History was pure fantasy, a mere backdrop. Women were still incarcerated, degraded, violated, and yet they maintained their sense of adventure and spirit of defiance and independence. The strength of the abused woman resonated throughout, giving women the right to enjoy sex, and to exploit men just as they had exploited women throughout history. Ultimately they tamed the hero. They conquered evil with love, a theme which was picked up by Mills & Boon at the time, and has featured strongly in romantic fiction ever since.

Marguerite de Valois in ‘Hostage Queen’ was most certainly an oppressed woman, bullied by her mother, Catherine de Medici, and imprisoned by her husband, Henry of Navarre, but never defeated. She remained a strong woman, a feminist before her time demanding equal rights, and far more intelligent than her mad brothers. She was the Queen that France needed but never got. Gabrielle d’EstrĂ©es who takes the lead in Reluctant Queen, was sold by her mother, twice, to different men, so quite a different sort of oppression. Fortunately she was adored by Henry IV, whose mistress she became, so things improved, at least for a time. In ‘The Queen and the Courtesan’, I set out giving Henriette d’Entragues the benefit of the doubt, that she was used by her father and brother. But while they were certainly complicit in all the intrigue in which they were engaged, I soon decided that she was no innocent victim. She was the very opposite of an oppressed woman, one who manipulated events to win herself the crown she craved. But did she succeed?


Amazon UK

 Amazon US

Friday, October 13, 2017

Australian Historical Novels Don't Sell...?

Three of my novels are in the top 10 of Australian category. Kitty McKenzie's Land, Nicola's Virtue & Southern Sons.

I'm so pleased that they are doing well because I feel that a lot of the time the reading public ignore the region of Australia and southern countries and islands, when in truth they are wonderful places to learn about and enjoy. I suppose everyone has their favourite areas where authors set stories, as they do by having favourite genres and historical eras. However, there is room for more, less known countries to be featured and explored, and I really encourage readers to try something new and different.

Throughout the many years I've been writing, I've been told constantly that Australian set historical novels don't sell outside of Australia. Well, I beg to differ. Agents who have said in the past to me to not bother writing Australian historical novels may not have been willing to take a chance, and I think that is a mistake.
I'm excited by the fact that people may be branching out and trying books set in other areas outside of the main countries that are so popular. If you are one of those readers, thank you!

Amazon UK. Australian & Oceania category. 13th October 2017. 9:48 am.
Proof that sometimes readers buck the trend.

Monday, October 9, 2017

Book Fair at Morley

Last Saturday I attended the Morley Lit Festival, which held a book fair in the Town Hall. Unfortunately the turn out wasn't great, perhaps due to the awful cold wet and windy day. But that didn't stop all visitors.

A selection of my books.

I met some lovely readers and signed some books. The highlight was meeting Deborah, an avid reader and supporter of authors, who runs a couple of Facebook pages promoting historical fiction authors like myself. I was so pleased to see her and have a chat in person - and of course we had a photo taken!

Deborah and myself

Thursday, October 5, 2017

The Baxendale Sisters Anthology is available for pre-order!

Hi, Maggi here,

I'm excited to announce that The Baxendale Sisters Series is now available for pre-order in a 5 Book Box Set! On Amazon. Coming soon to Barnes & Noble, Kobo and iBooks.
A Regency Romance Family Series
Five sisters find love during their London season. Five short novels and novellas. A guaranteed happily ever after. Nominated for several awards.
Lady Honor's Debt.
Lady Faith Takes a Leap.
Lady Hope and the Duke of Darkness.
The Seduction of Lady Charity.
The Scandalous Lady Mercy.