Showing posts with label romance. Show all posts
Showing posts with label romance. Show all posts

Saturday, May 30, 2020

The Inspiration behind "The Master Cook and the Maiden"

THE MASTER COOK AND THE MAIDEN
 
Vengeance…or love? Will Alfwen have to choose between them? And what part will the handsome Master Cook, Swein, play in her life?


People sometimes ask me: "Where do you get your ideas from?" In the case of my Master Cook and the Maiden, it came from a real historical event.

In the early 14th century, a nun called Joan of Leeds "crafted a dummy... to mislead...She had no shame in procuring its burial in a sacred space" according to the Archbishop of York, William Melton.

By means of the dummy, she faked her own death and fled the convent of Saint Clement by York. Later gossip placed her in the city of Beverley and she was ordered to return to the monastic life by her Archbishop.

Joan's absconding from the convent is not the only one recorded. In 1301 another nun, called Cecily, stripped off her habit, disguised herself and rode off to live with one Gregory de Thornton. 

Clearly, the relgious life was not for everyone. 

In the case of my heroine Alfwen, she is not yet a nun. She fakes her death by drowning, a fate that could happen all too easily to laundresses who had to deal with heavy, waterlogged sheets and clothes in their local rivers. She gambles that the church authorities will consider her body swept away and so makes her escape.

Why she does so forms the catalyst of the story.

#NEW THE MASTER COOK AND THE MAIDEN
Vengeance…or love? Will Alfwen have to choose between them? And what part will the handsome Master Cook, Swein, play in her life? amazon.com/dp/B088RJNYJ4/ UK amazon.co.uk/dp/B088RJNYJ4/ #Romance #MedievalRomance #RomanceNovel

Lindsay Townsend

Wednesday, April 4, 2018

Night Owl Reviews gave my historical novel a Reviewer Top Pick:
 
'Historical romance readers will fall in love with both Amelia and Gilbert. "On A Stormy Primeval Shore" was a fabulous tale of life and hardship in historical Canada.'
 
Blurb:
In 1784, Englishwoman Amelia Latimer sails to the new colony of New Brunswick in faraway Canada. She’s to marry a man chosen by her soldier father. Amelia is repulsed by her betrothed, and refuses to marry him. Determined to defy her parent and cultivate herbs in this wilderness, she then meets the handsome Acadian trader, Gilbert, a man beneath her in status.
Gilbert must protect his mother, once attacked by an English soldier. He fights to hold on to their property, to keep it from the Loyalists who flood the colony—desperate men chased from the south after the American Revolution. In a land fraught with hardship, Amelia and Gilbert struggle to overcome prejudice, political upheaval, while forging an existence in a remote country where events seek to destroy their love and lives.
 

Sunday, November 12, 2017

New Cover!

Eden's Conflict - My Victorian saga has had a revamp.  I felt the old cover wasn't getting the right response from readers. So I worked with Josephine, a graphics designer (JB Graphics) who is wonderful in my opinion, and after telling her about the story and what I envisioned, she came up with the cover you see below.
I love it. Those who have read the story will see how much the cover represents the story as well.

I've asked Amazon, Apple iBook and Kobo, etc, to change their listing to the new cover, which will take a few days or so to filter through online. Hopefully, this lovely new cover will soon be able to be seen by everyone.


Eden's Conflict
Blurb:
1901 - A new century brings change to the carefully ordered world Eden Harris maintains, change that threatens all she holds dear. Despite years of devoted service to the Bradburys, the leading family of the community, Eden hides a secret that would affect them all. When an enemy returns, her world is shattered and her secret exposed. Torn and provoked, she strains to protect her family until a devastating accident leaves her alone and frightened. As the threat against her grows, Eden takes her precious daughters and flees from the only place she's called home, to live amongst masses in York. 
Her attempt to start anew is not so simple as the past haunts her, and the one man she thought lost to her so many years before, returns to claim what has always been his. Eden must gather her strength and look into her heart to accept what the future offers. 
Can she find the happiness she longs for?

Eden's Conflict is available now.
Purchase 
Amazon: myBook.to/EdensConflict
 
 

Thursday, August 24, 2017

"A Knight's Vow," Medieval Romance Novel. 99p/99cents

Here's the blurb and a new excerpt from my re-issued full length medieval historical romance novel, "A Knight's Vow." Just 99p or 99 cents.

Blurb.

A crusader, haunted by grief and guilt. A bride-to-be, struggling with old yearnings and desires. Can Sir Guillelm de la Rochelle and Lady Alyson of Olverton rediscover the innocent love they once had for each other? When Guillelm makes a fearful vow on their wedding night, is all lost forever between him and Alyson? And will the secret enemy who hates their marriage destroy them both?

“A Knight’s Vow” is a tale of romance and chivalry. In a time of knights and ladies, of tournaments and battles, of crusades, castles and magic.

(First published by Kensington Publishing, New York, in 2008.)


Amazon Co UK

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Excerpt. (Taken from a skirmish where the hero Guillelm is fighting and the heroine Alyson is desperate to save him.)


Alyson began to run again, to Guillelm, aware she only had seconds, instants before the enemy raised his helm and wound up his deadly crossbow.
He would shoot at Guillelm—
‘Down! Get down! Get away!’ Yelling warnings, she ran straight at Guillelm, her one thought to save him, her only wild plan that if she could not make him hear her warnings, she might spoil the aim of the enemy archer.      
Ignoring the growing pain of her heat-seared lungs and her fading, tiring limbs, she screamed again, ’Get down!’ and now Guillelm heard and saw her, shock and horror warring in his face, his mouth forming the question, ’How?’
‘Down!’ Alyson cried, but she was too late. She felt a punch slam into her shoulder, spinning her round so that she fell backwards, the breath knocked out of her. She tried to move, to reach Guillelm, shield him, but as she raised her head a jolt of agony drove through her body and she blacked out.

Guillelm reacted without conscious thought. He lowered the shocked, sobbing Prioress gently onto the ground and seized the quivering arrow shaft buried so sickeningly in Alyson’s shoulder, determined to draw it out before she came round from her faint.
Even as he worked, images flashed constantly before his eyes. Alyson running towards him, arms outstretched, making herself a target. Over and over, he saw the bolt thud into her slender body, saw her feet actually leave the ground as she was flung around by the force of the impact. She had been shot in the back and he had done nothing to save her; worse he had not even known she had joined the war-band. He had been so keen to lay sword against sword with Étienne the Bold, who, cur that he was, had turned tail the instant he saw him, riding through the smoke and soot of the burning convent.
‘Ah!’  Although he tried to be steady and careful and the crossbow bolt came out cleanly, the sharp decisive tug hurt her—Alyson came out of her swoon with a shriek of agony.
‘Sssh, sweetheart, it is done.’ Guillelm wanted to cradle her but dare not: he could not bear to hurt her again. Kneeling by her, he packed his cloak around her body, terrified at how cold she was. Her shoulder was bleeding freely and that must be good, for the ill-humours would be washed out.
What if the crossbow bolt was poisoned?
What if she died?
‘Live, Alyson,’ he whispered, too afraid to be angry at her. He should have known she would attempt something like this: she was never one to sit still when those she loved were under threat. Where was that sister of hers? The Flemings had herded the nuns into the courtyard while they torched the buildings. None had been harmed so where was she?
Blinking away tears, he raised his head and met the pasty faces of the squires. The lads had dismounted and gathered round, forming a shield with their horses. Too late, Guillelm thought bleakly.
‘My lord, we did not know…’
‘Truly we never suspected…’
‘She moved so swiftly, ran right amongst the horses…’
‘We could not stop her!’
Their excuses died away and they hung their heads.     
‘What can we do?’ asked one.
Guillelm raked them with furious eyes. His knights were still searching for survivors in the wrecked convent—friends or foe—but these useless, lumpen youths should be good for something. 
‘Get me that archer,’ he spat.
‘I will do so, my lord.’ Fulk stepped into the circle, glanced at Alyson’s still body, and then turned, shouting for his horse.
‘Sir —’
At first Guillelm thought it one of the squires, or the half-blind old militia-man he had led away to safety from the burning church.
‘Do not scold them, sir. I rode in disguise.’ The small, breathy voice was Alyson’s. She was looking at him, her eyes dark with pain and fear.
‘Peace!’ Guillelm took her icy hand in his, trying to will his own heat into her. ‘We shall have you home safe, soon enough.’
‘I am sorry to be so much trouble.’ Alyson tried to raise herself on her elbow, gasped and fell back.
‘Alyson!’ For a dreadful moment, he thought she had died, but then saw the quick rise of her chest and realized she had passed out again. He should lift her from this burnt, wrecked ground as soon as possible, but what way would be best? In his arms, on horseback? On a litter?
‘Give me your cloaks!’ he snapped at the hapless squires. ‘Cover her with them. You! Bring me the infirmarer! You! Make a fire here! You! Find Sir Thomas.’ He almost said Sir Fulk, his natural second-in-command, but Fulk was off on another necessary task and one he longed to accomplish himself, though revenge on the archer would not save Alyson.
Live, please live, he thought. It was a prayer and wish in one.
‘Where is that infirmarer?’ he bellowed, above the steady weeping of the Prioress. He was growing incensed with the lack of speed of everyone about him and exasperated with the cowering, wailing nuns who had trailed after him like ducklings following their mother as he carried the helpless, vacant-eyed head of their order away from her devastated convent. If  Alyson’s sister was in that drab company, why had she not come forward to be with her? Was she so withdrawn from the world that even the sight of her own flesh, broken and bleeding on the ground, stirred no passionate care? ’Is there no one?’
‘I am here, Guido.’ Calm as a rock in a sea of troubles, Sir Tom leaned down from his horse. ’What say I find something to use as a stretcher?’
‘Do it,’ Guillelm answered curtly, ’And tell your men to search the infirmary for potions and such.’ A late thought struck him, but he could not feel ashamed at it, not with Alyson injured beside him. ’See if any of our own men are hurt, and tend them.’
 ‘They will not be hurt. Men never are.’ A small, slim nun emerged from the smoke, her arms full of books and manuscripts.
‘I am Sister Ursula, who was once Matilda of Olverton Minor,’ she said, calm as glass. ‘I have been in our scriptorium, where our true treasures are stored. The mercenaries did not recognize them as such.’ Slow, careful, she laid the books on the ground and only then looked at Alyson.
‘Your infirmarer?’ Guillelm asked, as Sister Ursula’s lips moved in prayer. His hands itched to shake her out of her complacency: was this woman human? ’Your sister is still bleeding.’
‘The infirmarer is dead.’ Sister Ursula opened her eyes, fixing Guillelm with a stare of utter dislike, mingled with distaste. ’Our sister in Christ passed away eight days ago.’
‘Mother of God, have you no one who can help my wife?’
‘Do not blaspheme against the name of our blessed Lady of Heaven.’
Sister Ursula stared at a kneeling squire striking sparks off his knife to light a small, swiftly-gathered bundle of kindling until the youth shuffled out of her path. She knelt beside Alyson, facing Guillelm across her sister’s body. ‘I will pray.’
‘Please —’ Guillelm felt to be out of his depth dealing with this smooth, polished creature, he felt to be drowning in her piety. If it had been a man he would have appealed to honour, or come to blows. How did women deal with each other? He thought of his sister Juliana, but their relationship had been oddly formal, she being so much the elder and out of reach of sibling contests.
Rivalry. The answer came to him as he recalled the scrapes and scraps that he had seen and sometimes intervened in between brothers. It was a risk to employ it against women, but what other tactic could he use? Luck and recklessness were all he had left.
‘If she could speak, Alyson could tell us how to treat her,’ he remarked, adopting Sister Ursula’s calm tones while around him his squires and gathering knights held their breaths against the approaching storm. Gently: he had to do this right. ‘She is an excellent healer.’
Sister Ursula said nothing.
‘She told me you had no diligence in such matters,’ Guillelm went on, lying shamelessly and worse, feeling no guilt as he did so. ’That you love books more than people.’
‘She is wrong,’ said Sister Ursula.
 ‘You put your skill above hers, then? I have seen no other to match her, even in Outremer.’
With a small shake of her head remarkably like Alyson’s, Sister Ursula unclasped her palms.
 ‘I thought her judgment a little harsh, but I see that she was right. She said you lacked the healing touch.’
‘What nonsense.’ Sister Ursula rose to her feet. ’Build up that fire,’ she commanded. ’I must have more light.’ 

Lindsay Townsend

Monday, September 7, 2015

New Release from Jen Black: THE CRAIGSMUIR AFFAIR

Here’s an excerpt from my new book published on 20th July. 

BLURB:
In 1893 Daisy dreams of a career as an artist but runs up against the rock that is Adam Grey, who distrusts women and thinks wives should be content with home and family life. When a valuable painting goes missing in the country house where they are both guests, Adam turns detective and Daisy must prove that she is not the thief Adam initially believes her to be. Does she want love and marriage or to fulfil her dreams? Can Adam get over his distrust of women?

EXCERPT:
Adam reached out, grasped her shoulders and dropped a kiss on her forehead. Looking at him, she could think of nothing to say; nor could she break the spell with movement. He stood so close she was aware of his warmth and the faint tang of shaving soap. His gaze held her still. She forgot to breathe.

Slowly, without haste, he set his lips to hers.
His mouth was cool and surprisingly gentle. Aware of a pulse thudding in her throat, she did not move and made no sound as his lips moulded and teased hers. Through almost closed eyes she observed his lashes, so dark and long. His head tilted. His mouth claimed more of her. She sank deeper into the kiss.

Adam pulled back with a groan of distress. ‘Oh God, I’m sorry, Daisy. That was unforgivable….’ One hand flailed the air in a gesture she interpreted as distress. ‘I should not have….’ He turned away, palms clasped and held close to his mouth. ‘Please forgive me.’

At first Daisy could not speak. The separation was too sudden. Her fingertips went to her warm lips. What had displeased him? Had she not reciprocated in the correct way? ‘Please do not spoil it,’ she said, her voice wavering. ‘I expect I shall treasure it as my first grown-up kiss.’

‘I doubt it,’ he said dryly, staring at her hungrily.
She ought to be shocked, but felt nothing of the sort. Instead an odd sense of unsuspected power trickled through her veins. Now she knew what a kiss could be and wished it had gone on longer. Obviously he had done it against his better judgement and that of itself was exciting. If it had happened once, she could make it happen again.
She saw how deeply he frowned and wondered at it. ‘Do not worry. I shall not tell anyone. The kiss shall be my secret.’

‘That is hardly the point, is it? I should never have allowed myself to kiss you.’
She shrugged. ‘But you did. And I enjoyed it.’ She knew she should not make such an admission, but wanted to whirl and dance around the room in sheer happiness.
His mouth flattened in displeasure. ‘Why is it that with you….’
She allowed a pause to develop and then said, ‘Go on.’
He shook his head. ‘I should go,’ he said stiffly. ‘You were right. I should not have brought you in here. Will you excuse me?’

‘No,’ she said calmly, tempted to laugh at his alarmed expression. For once, Daisy felt older than her years and in control. It was a heady feeling. Remembering her conversation with Vicky in the Long Gallery at Clennell, she spoke softly. ‘I can only think you are wary of women because one of my sex has treated you badly. If that is the case, I shall let the subject go as it is none of my business.’
His head went back as if she had slapped him.

He glared at her. Daisy licked suddenly dry lips. How could she have been so crass as to mention his past history? Anxious to get the conversation back on mundane matters, she said ‘You brought me here to talk of theft. Do you think, as I do, that Maitland has taken the money as well as a painting?’


The CRAIGSMUIR AFFAIR,  Amazon kindle US http://tinyurl.com/plrfnc6

and for the UK - http://tinyurl.com/nlfwv52

Posted by Jen Black

Sunday, February 23, 2014

Historical Romance ~ Reluctance, by Jen Black

Frances Bowes, Lady Rathmere, is the heroine of RELUCTANCE. 

Married young, nine years a widow, now in her mid-twenties, she lives happily in full control of her fortune and sees no reason to endure marriage again.

Jack Slade, Marquess of Streatham, is the hero. Wracked with guilt over his wife’s death in childbirth, he flees London for his run-down estate in the north swearing celibacy for the rest of his life though still only in his mid-twenties. He believes he cannot allow his progeny to kill another innocent woman.
Frances, Jack and Charles Devenish were childhood playmates. Charles and Jack have maintained the friendship at school and in London, but Frances and the other local residents have not seen Jack since he was eleven years old.

When the story opens, Frances saves a stranger − Jack − from drowning. Discovering him ungrateful, she assumes him an insufferable idiot and forgets him. A week later, conscience pricking, he arrives unannounced at her Cousin Mary’s birthday luncheon in order to apologize for his rudeness.

This charming and thoughtful Regency story is set in the north of England away from the constraints of the ton and society’s expectations. When a handsome soldier arrives in the locality, he manages to destroy any peace of mind Frances had, and almost ruins her cousin Mary’s reputation. When his attentions became unbearable, there seems only one way out of the tangle.


Read RELUCTANCE by Jen Black and return to a very different world.

available here: 
http://www.amazon.com/Reluctance-Jen-Black-ebook/dp/B007ROL46Q/ref=la_B003BZ8JNQ_1_6?s=books&ie=UTF8&qid=1393083978&sr=1-6

Thursday, October 14, 2010

Call Me Duchess by Maggie Dove




Hi Everyone,

I just received the cover for my forthcoming novel, Call Me Duchess. I wanted to share it with you and tell you a little bit about my book:

Grippingly suspenseful and romantic, CALL ME DUCHESS, is a stunning, young woman’s journey to find love in 1870 London while a dashingly handsome chaperone, a heinous villain, and her own lofty aspirations stand in her way. Left penniless by their father, Marguerite Wiggins and her sisters must find husbands during the London season or work as governesses by season’s end.
Determined to become the next Duchess of Wallingford, Marguerite is a woman in love who must make the difficult decision between following her heart or attaining her lifetime dreams and ambitions as a depraved rapist seeks to make her his next victim.

Historical Romance/Romantic Suspense, CALL ME DUCHESS is the second novel of the Windword Trilogy.
To be released by Eternal Press - January, 2011

Monday, May 24, 2010

Why Write?

Someone once asked me why I became a writer. The answer is complicated, and I'll try not to stray too often. Growing up in the small community of Woodville, Tennessee, our television set received only three channels, and you had to walk outside and manually position the pole antenna to get two of them. I've always been a night owl, and most nights there wasn't much to do, so naturally reading became an outlet for relieving my boredom. For me, getting lost in a good book was better than eating homemade ice cream.

Eventually I grew up, married a handsome sailor, and moved away. The first time my husband's squadron went to sea, I discovered the city library. Soon Victoria Holt and Phyllis Whitney were my new best friends. Until that fateful afternoon I picked up a book by Jill Tattersall. With characters who left me breathless, her romances captivated me. I became addicted. Obsessed.

Today the trend is to bombard readers with page after page of explicit sex. The romance, if there is one, is secondary. Let's face it...sex is easier to write and sell. Don't get me wrong. I've no objection to the hero and heroine rolling around in the hay, but not each and every chapter. I'd like to glimpse an enduring love blossoming beneath all that heavy breathing. Two people choosing love in spite of their differences really gets my heart racing. It's the only reason I keep reading. Without that overpowering emotion, there is no story. Only porn. And I can get that, day or night, on the cable channels.

I write historical romance. The old fashioned kind. My main characters are strong, honorable, and loyal. Sexy? Absolutely! But back to the original question of why I write...putting stories down on paper is the only way to get them out of my head. I also get a sense of satisfaction, because I know when others read about my characters, they will live forever.